How stressful is your work week? How many hours do you put in? When that proverbial clock is punched, isn’t there a part of you that feels at ease, as if you just tossed aside a 300-pound weight off your back? Of course, it’s a feeling everyone races towards week after week. But, here’s something to chew on: What if you couldn’t take that weight off?
That’s essentially the struggle one deals with as a musician, especially in this day and age. With the industry in such a flux, now more than ever, musicians have to keep trending 24/7/365. They’re always writing new material, they rarely step off the road, and they’re endlessly looking for ways to stay ahead of the curve.
Here’s a good example: Starting today, The Flaming Lips will attempt to break the Guinness World Record for Most Concerts in One Day when they play eight shows across Tennessee, Mississippi, and Louisiana. It’s gimmicky, sure, but it’s a feat that’s turning heads and it’s also a bold indication of how far musicians are willing to go. Granted, Wayne Coyne is a madman of epic proportions, but he’s hardly alone.
With that in mind, we’ve put together a Rolodex of certifiably restless figures in the music industry today.
Stress Level: 1.0 out of 10.0
Estimated Blood Pressure: 145/99
Being the human embodiment of the Platonic ideal of “Party” means never, ever stopping. Recently, Andrew W.K.’s seamlessly bounced between instrumental solo piano recordings (as on 2009’s 55 Cadillac), anime covers (2009’s Gundam Rock), and his signature hard-rocking anthems (as on the now 10+ year old I Get Wet). When not sitting down long enough to write, his jobs include performing frenetic live shows, hosting a children’s TV show, and even delivering a talk at the My Little Pony convention (a speech reportedly titled “How to Party Like Pinkie”). The dude is a ball of energy, never taking a breather, yet there’s never a sign of any stress breaking through his party shield. And W.K.’s ready to bring that high impact enthusiasm directly to your brain with his motivational speeches. -Adam Kivel
The Black Keys
Stress Level: 8.2 out of 10.0
Estimated Blood Pressure: 159/99
With their recent megasuccess over the last two years, it’s easy to forget The Black Keys have been one of the hardest working duos around for a decade plus. Their release cycle through seven records has been relentless, yet recent news of an eighth in the works mere months after El Camino hit, itself recorded following canceled tour dates behind Brothers due partially to “exhaustion”, still seems stupefying. Through it all, they maintain a major road presence, headlining festivals across the globe (at the time of writing, they have 13 scheduled appearances left this year, many happening in different countries on the same weekend). Last year, they performed on Saturday Night Live an almost unheard of two times, and appeared with Anthony Bourdain on No Reservations to boot. On top of all that, and despite prior hesitations, they license their music to commercials and TV shows everywhere, suing those who don’t ask permission. These Akron boys have been seen all over these past two years, and it doesn’t look like they’ll become scarce anytime soon. -Ben Kaye
Stress Level: 6.8 out of 10.0
Estimated Blood Pressure: 118/77
BjÃ¶rk’s inclusion has nothing to do with a crazy busy schedule; after two decades as pop’s quirky pixie, she works at her own pace. Still, that pace has made for some truly profound work, starting with the June 2009 release of VoltaÃ¯c, comprised of five separate releases of various Volta-related material. Her most significant work in recent years, and possibly of her entire career, is 2011’s Biophilia. The world’s “first app album”, BjÃ¶rk herself described it as a multimedia collection “encompassing music, apps, Internet, installations, and live shows.” At the very least, she started a trend by readily accepting the iPad as a musical instrument/tool. What she really did, though, was make question the true possibilities of the album concept and reconfigure the interplay between songs and accompanying visuals, which pushed the very boundaries of art itself. If that’s not tireless, then we’ll dress like a swan and honk the night away in Times Square. -Chris Coplan