This feature was originally published in August 2015.
Welcome to Pearl Jam Week! In honor of the 25th anniversary of Ten, we’ll be celebrating the entire catalogue of Pearl Jam with exclusive features throughout the week. Yesterday, Michael Roffman and Matt Melis reported back from the band’s triumphant return to Wrigley Field. Today, we revisit our list of the 25 rock acts who never phone in a setlist. If you read on, Eddie and the boys just might sit in a fairly prominent spot.
A setlist is the lifeblood of any performing musician. Pop stars commit them to memory, scraggly rockers duct tape them to the stage floors, and a few brave souls look out into the audience for answers. Then there are those that turn the setlist into an art form, treating it less like a blueprint and more like evolved scripture.
Songs come and go, staples shift around long enough that they’re hardly considered staples anymore, and favorites are diverse and scattered among die-hard fans. But this is a veteran’s game, one that young and aspiring artists work toward, building rich catalogs that beg to be timeless and yearn to be heard.
Ahead, we round up the 25 best rock ‘n’ roll acts today who are not only some of the most talented performers, but also the savviest with a pen and paper. These are the folks you stick around after the show, when the roadies might toss you the night’s crumpled and crinkled memory, which will forever be framed in your office.
These are the acts whose shows define the word “unique.”
25. Melissa Etheridge
Rest assured, when you buy a ticket to see Melissa Etheridge, you’re bound to hear iconic FM radio staples like “I Want to Come Over”, “I’m the Only One”, “Come to My Window”, or even her 1988 debut single, “Bring Me Some Water”. But this is an artist who’s been in the game for over 30 years, which is why over the last decade her setlists have pulled from around 57 songs per tour, on average.
This summer, she’s been working with 58 tracks (so far), and each night she’s dusted off a surprise number for an equally surprised audience — from covers of songs by Erma Franklin, Woody Guthrie, and Bob Marley (to name a few) to obscure soundtrack appearances (“It Will Be Me” off Brother Bear 2) to oft-ignored deep cuts (“Cherry Avenue”, “How Would I Know”). Couple that with her VH1 Storytellers crowd work, and, well, what more could you want from her? –Michael Roffman
24. Yo La Tengo
In 2011, Yo La Tengo went on tour. That’s hardly news for the tireless indie rockers, who have been zigzagging across the states and other parts of the world for 30 years. Still, this wasn’t your garden-variety jaunt through the US. The band turned the tour into an absurdist carnival, complete with a wheel fans could spin that would dictate which classic Seinfeld scenes they would reenact on stage. It was a bizarre move in keeping with Yo La Tengo’s flair for marching to their own quirky drum. Outside of sharing their love for “Must See TV”-era NBC programming, the band’s ability to effortlessly spin out killer covers across all genres makes them one of the most fun and unpredictable live acts around. –Ryan Bray
23. Built to Spill
Photo by Carlo Cavaluzzi
Use the word “jam” among certain crowds and you’ll be met with some seriously sour reactions. But with Doug Martsch’s guitar geekery and the extended, ambling setlists of Built to Spill, it’s really the only word that fits. Whether it’s the seriously expanded versions of already solo-filled songs or classic rock covers, the Idaho band’s shows often feel like joining some buddies in a suburban basement for a quick jam session.
A YouTube upload of a secret show in San Jose in 2013 bears that feeling out even stronger, Martsch and the band going through a set of covers (ranging from Pavement to Blue Öyster Cult) in a packed-to-the-rafters cafe. A quick scan of Setlist.fm suggests that they’ve opened their 56 shows to date in 2015 with 26 different songs and have played at least 69 different songs at least once.
Plus, for a band with a thick catalog, they don’t shy away from the fan favorites — next to the debut song from the album they’re touring on, the most played song of the tour has been the stone-cold classic “Carry the Zero”. They give fans what they want, and they have fun doing what they want, too — an admirable approach. –Adam Kivel
22. Broken Social Scene
Photo by Philip Cosores
Broken Social Scene has always functioned more as a collective than a proper band. While this probably makes for a nightmare when planning rehearsals, it’s a boon to the group when they perform live. The very nature of the project makes spontaneity a natural occurrence. For example, their latest gig at WayHome Music & Arts Festival wasn’t scheduled until 3:30 p.m. on the day of the show, after Passion Pit dropped out of the bill. Since band masterminds Kevin Drew and Brendan Canning have nearly 30 musicians to choose from, they were able to put something together no problem.
Having such a large, loose machine also makes for a constantly shifting setlist, rife with celebratory staples such as “7/4 Shoreline” as well as gems from the members’ respective side projects. Though it can sometimes be a drag to hear solo material, that’s not the case when you count Jason Collett and various members of Stars, Metric, Apostle of Hustle, and other formidable acts among your roster. –Dan Caffrey
21. Bright Eyes/Conor Oberst
Photo by Ben Kaye
Conor Oberst is another artist who has grown considerably over the course of his career, finding inspiration from classic rock icons not just in his sound, but also in how he conducts shows. In 2011, the last year he was touring as Bright Eyes, the more than 100 shows he played featured nearly 60 different songs in rotation, and even since Bright Eyes took a break, Oberst uses his other recording projects to incorporate different songs into the mix. When playing under his own name, you are likely to hear songs from Bright Eyes, Monsters of Folk, and his solo material with the Mystic Valley Band. It all adds up to consistently surprising performances, likely to feature collaborations with whoever he’s on tour with. –Philip Cosores
20. Cat Power
Part of the thrill of seeing Cat Power live is the unpredictability. Much has been made over the years about the erratic nature of Chan Marshall’s live performances, but when she nails it, the results are spellbinding. Sometimes, her show will consist of a full band doing large-scale renditions of new songs, such as the tour behind 2012’s Sun, mixed in with a few old favorites. More likely is an intimate solo performance that finds Marshall switching between choice cuts throughout her discography, pulling from Moon Pix and What Would the Community Think to more well-known songs from The Greatest.
What truly makes Cat Power’s setlist unique on a given night are the covers she pulls out. Known for recording albums of cover songs, you might get staples like her take on Dylan, Stones, or Pedro Infante, but you may also get Duke Ellington, Bonnie “Prince’ Billy, or Mary J. Blige. She’s able to cull from her own discography and the work of others to present varied setlists and experiences that are never the same twice. –David Sackllah
19. The Flaming Lips
It’s hard to name any band that’s steadier live than The Flaming Lips. In the past three decades, the band has beared the fruits of more collaborations, covers, and experimental nonsense than any other. From Miley Cyrus and Ke$ha to Nick Cave, Erykah Badu, Henry Rollins, and beyond — there’s a lot to choose from. And choose they do. Over the years the Lips have given us Dark Side, Sgt. Peppers, Echo & the Bunnymen, and occasionally Louis Armstrong. Even their more standard setlists have purpose. In Wayne Coyne’s own words, “Hopefully [our shows] just let you be free. People can decide, ‘I’m not going to be cool tonight.’ And when the audience does that, you can feel it. There’s this powerful surge like, ‘Oh, we’re all in this together.’” For a band with 17 studio albums of widely varying popularity, selecting tracks that both the casual fan and the diehard can get lost in is its own art form. –Kevin McMahon
18. The Hold Steady
Photo by Ben Kaye
I’m going to commit an indie rock sin by bringing up The Hold Steady’s tired “Best Bar Band in America” title once again. But let’s break down why it applies to them in the first place. A bar band has to roll with the punches, whether those punches be a shitty sound mix, a restless crowd, or actual punches. They have to be willing to change up their setlist on a dime or throw a cover in the mix depending on what the people want.
I don’t know how many rowdy dives The Hold Steady has actually played (I’m talking places with chain-link in front of the stage a la The Blues Brothers), but they often cater their setlists to their audience nonetheless, inviting guest stars like Titus Andronicus’s Patrick Stickles to the stage, pulling out old-school fan favorites such as “Certain Songs” on a whim and incorporating covers including “The Power of Love” the day after they learned them. –Dan Caffrey
17. Modest Mouse
Photo by Lilian Cai
For a long time, Modest Mouse was not a great live band. But as they’ve matured, something has clicked, and a big part of this is in regard to the setlists the group trucks out nightly. Even the band’s biggest hit, “Float On”, isn’t a guarantee (though it’s made its way into 40 out of 48 setlists this year), with the song’s appearance in the setlist usually a good indicator of how good a mood frontman Isaac Brock is in.
In total, more than 60 Modest Mouse songs have been played over the course of their 2015 tour dates, with the band never losing sight of their past accomplishments. Even tracks from their first album, This Is a Long Drive for Someone with Nothing to Think About, still regularly appear in the rotation, with most setlists finding a pretty good retrospective feel of their whole career. It took a while, but seeing Modest Mouse is now a crowd-pleasing event. –Philip Cosores
16. The Mountain Goats
Photo by Debi Del Grande
With 15 studio albums (which doesn’t even include the cassette releases and EPs that John Darnielle has put out since he began recording in 1991), The Mountain Goats certainly have a wealth of material to draw on. The cool thing about seeing the band over the years is how the live performance aspect is kept fresh by a constantly evolving setlist. Songs are usually chosen to fit the themes or arrangements of the newest material, with favorites from The Sunset Tree or All Hail West Texas peppered in for proper crowd-pleasing. When Darnielle performs without a backing band, all bets are off; nearly any song he has penned can come into play. He’ll also perform songs that are regionally specific, which works out well, considering that he has songs specific to nearly every place he plays. –Philip Cosores
15. Umphrey’s McGee
A band that can tour 300 days out of a year without boring fans is rare indeed. Umphrey’s McGee is one of those groups. Their ability to bounce from metal and prog to blues and classic psychedelia is well-documented. The endless touring assures that Brendan Bayliss and co. can communicate fluently with each other musically — maybe better than through words. For the crowd, this means that crystal ball predictions are the best that can be made for the night’s setlist.
On Halloween, fans get legendary “mashup” compositions. “Life During Exodus” is a personal favorite, combining the Talking Heads and Bob Marley classics in verse-chorus style. Night in and night out, no two setlists are alike. “No Diablo” and “Mulche’s Odyssey” seem to be making their rounds of late. After bringing out the Chicago Mass Choir and closing their Ravinia show with Talking Heads’ “Once in a Lifetime” and Bill Withers’ “Lean on Me”, their inclusion was an easy choice. –Kevin McMahon
14. Ryan Adams
Photo by Ben Kaye
Like many of the performers on this list, Ryan Adams has an extensive back catalog. Of his 14 proper studio albums, three are two discs, and that’s to say nothing of his bonus tracks, EPs, monthly 7-inches, and a vault’s worth of bootlegs and unreleased material. But the wealth of material isn’t the only thing contributing to his historically diverse setlists. Adams tends to make up songs on the spot, adding to an already hefty discography with improvised, usually silly tunes such as “Goodnight Bob” and “The Three Fuckin’ Balloons”. When I caught him at the Cadillac Palace in 2011, he penned a tongue-in-cheek ditty simply titled “Lady with the Phone” when he spotted a woman in the back illuminated by her mobile device. Adams — being Adams — compared her to a sorceress hovering over a glowing cauldron. –Dan Caffrey
13. My Morning Jacket
Photo by Ben Kaye
If the setlist is an art form, Jim James and co. are masters of the discipline. Rather than focusing on which songs they play, My Morning Jacket follows in the tradition of great jam bands like the Grateful Dead by re-imagining and deconstructing their own catalog at every show. Thus, the variety of tunes is secondary to their integrity, which makes going to see the group three nights in a row slightly less insane than it may otherwise be. Not content to rely solely on their own output, MMJ is also known for peppering in inventive covers, oftentimes accompanied by big-name guests. From The Who’s “A Quick One, While He’s Away” with Eddie Vedder to Danzig’s “How the Gods Kill”, there’s reason to expect the unexpected at every MMJ show, even if you’re at every one of them. –Zack Ruskin
Photo by Philip Cosores
If you’ve seen Metallica of late, the way the band invites fans to join them on stage is just one example of how appreciative they are of their fan base. But the way the band manages to pay homage to their entire career in concert, often changing setlists to incorporate different songs, is another indicator of their crowd-pleasing nature. Sure, they’ll play “Enter Sandman”, “One”, and “Master of Puppets” every night, but going back to 2009 and 2010 (their last couple years of heavy touring), more than 60 songs were in play to be performed by the band on a given night. Taking into account the technical nature of a Metallica performance, their task of being a band that doesn’t play the same show on a nightly basis becomes even more impressive. –Philip Cosores
11. Neil Young
When many of his classic rock peers just shut up and play the hits, Neil Young is consistently focused on whatever album he’s just released, albeit with a sprinkling of hits, too. If that sounds like a negative in light of interesting yet ultimately subpar records such as Landing on Water and This Note’s for You, just listen to A Treasure. It proves that various cuts from an album like Old Ways — boring in their studio versions—become bona fide barnstormers live. In recent years, Young has even started mixing the past and the present within his stage show. The Psychedelic Pill tour, for example, pulled the over-sized road case set-pieces from the Tonight’s the Night era while still focusing on Young’s new songs. –Dan Caffrey
10. Arcade Fire
Photo by Philip Cosores
Arcade Fire live to thrill. It doesn’t matter how much they’ve changed over the years — from wide-eyed twentysomethings singing their hearts out at clubs to worldwide stadium tours adorned with rotating glass mirrors — but the Canadian troupe pound their drums and tilt their heads to the sky to sing loud enough for the back rows to hear clearly. They’re about energy, spirit, and enthusiasm. Their setlists, ones that vary greatly by tour and night, annotate that patently.
The Grammy-winning band have never lost sight of their hearts, even if charity campaigns and Haitian coffee publicity stunts suggest otherwise. Win Butler and Regine Chassagne, Co. use their power for good. As a thank you to the fans, they toy with their setlist not only each tour, but often for individual nights. Their Reflektor tour alone featured 68 different songs. Of those, 35 were covers ranging from Prince, to Dead Kennedys, to Feist, to Boyz II Men, to many, many more. In fact, they’ve performed so many covers live that we ranked the full list of every one we could find.
Arcade Fire solemnly swear to keep you entertained by changing up the game and giving everyone, even those who have never heard them before, a song to sing along to. If all else fails, the goosebump-inducing “Wake Up” will still overwhelm you live over a decade after its release. –Nina Corcoran
09. The Cure
Photo by Heather Kaplan
The Cure can play for a very long time. (Just ask our contributing photographer Debi Del Grande, a diehard fan who’ll tell you the number of hours she’s dedicated to Robert Smith and co.) That’s a good thing, though, because their rich, expansive, and wildly diverse catalog demands such extended play. Each night, you’ll hear juicy bits and pieces from the band’s most celebrated works — so, Disintegration, Boys Don’t Cry, Kiss Me Kiss Me Kiss Me, Wish, et al. — and a medley of B-sides or neck-high deep cuts that will floor you.
On average, Smith will juggle something like 67 tracks each tour, which is understandable considering they’re known to knock out 45-song setlists on special occasions. They also tend to capitalize on particular albums for each jaunt; for example, last year’s tour was heavy on The Top and Disintegration, both 2012 and 2013 focused on Disintegration and Wish, while 2011 was dedicated to Three Imaginary Boys and Seventeen Seconds. All in all, they’re the type of band whose old setlists you hate looking at for fear of seeing something you missed. Hell, I’m still kicking myself for missing their performance of “Burn” at 2013’s Voodoo Experience. Days after Halloween, no less. Blargh. –Michael Roffman
08. The Smashing Pumpkins
Photo by Philip Cosores
Billy Corgan has never been a stranger to controversy. When The Smashing Pumpkins returned in 2007, the vitriol seemingly picked up where it left off, from veteran fans pining for James Iha or D’arcy Wretzky to critics torching the new material. Throughout the next year, the most reviled criticism boiled over from those disappointed in the new setlists, which tended to ease up on the hits to double down on Zeitgeist material and sprawling, unreleased B-sides like the 20-minute-plus “Gossamer”.
The band’s aversion to older material was heavily discussed in the 2008 documentary If All Goes Wrong, which chronicled their early reunion residencies at Asheville, North Carolina’s The Orange Peel and San Francisco’s The Fillmore. Despite the ensuing reunion buzz, Corgan spent most of this time writing and testing new material, teasing fans of older material with deep cuts like “Starla”, “The Crying Tree of Mercury”, “Heavy Metal Machine”, and “Untitled”.
Both sides have salient points, but the situation improved drastically by late 2008, when Corgan started getting really creative with his setlists and found an agreeable marriage between the old and new. As such, fans were hearing crowd favorites (“Mayonaise”, “1979”) alongside previously ignored selections from each album (“Try, Try, Try”, “Soma”). People still griped, especially over their obnoxious cover of Pink Floyd’s “Set the Controls for the Heart of the Sun”, but it was a major upgrade.
Since then, the Pumpkins have dusted off pretty much every song in their catalog. Upon the release of 2012’s Oceania, Corgan clarified his thoughts on setlists, telling Rolling Stone: “People try to make a big deal, like I don’t want to play my old songs. That’s not it. I don’t want to play my old songs if that’s my only option. That’s a different thing. If I’m gonna get up onstage and there’s an audience that wants to hear Oceania, you’re gonna have the happiest guy in the world playing his own songs.”
Sadly, this past summer’s setlists were fairly copy and paste each night, but hey, he also brought back Jimmy Chamberlin behind the drums. You win some and you lose some. Here’s hoping they stick together and that their next jaunt finds the band unwrapping more material from Monuments to an Elegy. –Michael Roffman
07. The Grateful Dead
Setlists are one thing, but for Grateful Dead, even if they played the exact same set of songs from one night to the next, the legacy of the band is that it would still be a very different experience. This commitment to jamming resulted in a whole genre of touring bands taking their inspiration from the Dead and seeing situations where diehards would follow the band around on tour. That kind of devotion would seem strange to bands that play the same set every night, and bands that deviate from that formula are rewarded by a more dedicated level of fandom. Music has the Dead to thank for that, and the ripples (pun intended) are still being felt with the band’s recent Santa Clara and Chicago concerts reaching enormous audiences not just on site, but via streaming video. –Philip Cosores
Photo by Nina Corcoran
Part of Wilco’s prolonged success, beyond the band’s consistently solid output, can be attributed to their willingness to play around with formula. It would be easy for them to roll out a rubber-stamped setlist of fan favorites every night, and on particularly long tours it’s understandably hard to resist the temptation. But the band has too much of an experimental streak coursing through its veins to put up with “easy.” As a result, a Wilco show always has the potential to turn into something unusual and unexpected.
Jeff Tweedy and friends have undertaken five-night residencies in Chicago in which they’ve played all of their songs, while more recently the band pared down its songs to fit a front porch acoustic sing-along at this year’s Solid Sound Festival. The surprise release of Star Wars the night before the start of this year’s Pitchfork Music Festival also turned what would have otherwise been another festival gig into an unprecedented debut of new material. –Ryan Bray
Photo by Paul R. Giunta
Following in the footsteps of the Dead, Phish are a great current example of what it means to change things up on a nightly basis. In fact, there are whole websites devoted to sharing and discussing Phish setlists, with their current tour featuring well over 100 different songs spread across just 25 shows. These aren’t just originals that the jam band is spreading out over their set. This year alone, Phish has covered songs from The Beatles, TV on the Radio, The Velvet Underground, The Rolling Stones, Talking Heads, and Stevie Wonder, just to name a few. Phish has even been known to cover whole albums as a Halloween tradition, creating unforgettable one-offs. –Philip Cosores
04. Jack White
Photo by Amanda Koellner
Jack White may (or may not) have 99 problems, but covering artists from any genre and/or decade isn’t one. During his 2014 tour in support of Lazaretto, White kept each performance fresh and headline-worthy by sprinkling in favored songs from his past as part of The White Stripes, The Dead Weather, and/or The Raconteurs (depending on the set) — but he didn’t stop there. He continued to switch up his setlist night after night by covering anyone and everyone from Elvis Presley, Bob Dylan, and Metallica to Jay Z and Kanye West.
At a show in Paris, he worked six covers/mashups into his set, fusing “Seven Nation Army” with Talking Heads’ “Psycho Killer” and “Steady as She Goes” with The Police’s “Message in a Bottle”. White’s tour ensured that every night, there would be something different and unique to that show, because let’s face it: Who doesn’t want bragging rights about what setlist they were awarded with? Even though there’s no real competition, White’s 33-song, three-hour set in Chicago was clearly his best, in my unbiased opinion. –Lyndsey Havens
Photo by Nate Slevin
“One of the worst things in music is when bands play the same set every night,” Radiohead guitarist Ed O’Brien told New York Magazine while on tour for In Rainbows. It’s a statement that encapsulates the band’s attitude toward touring. The beauty of seeing Radiohead on tour is that not only will you get to hear staple selections and tracks off their latest album, but usually you’ll also be treated to some deep cuts from the band’s ever-expanding discography.
Six crowds during Radiohead’s 2012 North American tour were lucky enough to hear the Amnesiac-era track “The Amazing Sounds of Orgy”. That tour ultimately featured 53 different songs played in varying combinations. Radiohead’s willingness to revisit and re-imagine songs into fresh live incarnations is also noteworthy, as evidenced by the vastly different-sounding versions of “Weird Fishes/Arpeggi” and “Nude” played on their In Rainbows tour. If playing the same set night after night is one of the worst things in music, then what Radiohead does live is, unsurprisingly, the opposite. –Zack Ruskin
02. Bruce Springsteen and the E Street Band
Part of the appeal of a Bruce Springsteen and the E Street Band tour stop isn’t just the heroic length of the concert, but also the freedom that that length gives them.
Besides staples like “Born to Run” and “Badlands”, Springsteen, Steven Van Zandt, Nils Lofgren, Max Weinberg, Patti Scialfa, and the rest of the band wade deep into 45 years’ worth of original Springsteen material, not to mention covers. Hell, over the course of last year’s relatively brief High Hopes Tour, the band played 17 out of 20 possible songs from 1980’s The River, an album that had only two songs reach The Hot 100 (“Hungry Heart” and “Fade Away”).
As showers of “Bruuuce!” continue to rain down in venues around the world, it’s no wonder The Boss keeps his archival inventory stocked with newly packaged live albums. There’s ample variation between the shows, which, across three or four hours, reflect the whimsicality of his liveliest studio recordings. –Michael Madden
01. Pearl Jam
Photo by David Brendan Hall
There’s no competition when it comes to Pearl Jam. See them 2,000 miles away, 200 miles away, or in the same venue on a different night, and you’re going to get a totally unique set. That’s just the beauty of the Seattle veterans, and it’s a hallmark of theirs that they’ve maintained for over two decades. Hell, last year alone, they worked with over 160 songs and only had 32 dates to their name. Even better, three of their five top-played songs — “Lightning Bolt”, “Mind Your Manners”, and “Sirens” — were stripped right off their last record, 2013’s Lightning Bolt, keeping things relatively fresh and new.
In a 2013 interview, guitarist Stone Gossard explained the band’s rationale when it comes to setlists, saying: “That’s maybe the best thing about having all these songs. Some of the ones you thought, ‘Oh, I wrote this song and nobody really liked it,’ and then 15 years later it’s like ‘Ah! It’s a fan favorite!’ You end up having these revivals for these songs. I know the band really enjoys that.” The fans do, too, which is why they’ve always been so adamant about attending each and every set, sort of like a next generation of Deadheads.
Similarly, they’re also savvy bootleggers, which is why so many Pearl Jam shows happen to be logged online today. In fact, this culture is so expansive and dedicated that they inspired the band to issue their own official bootlegs, which have sold over 3.5 million copies since they started the program in 2000. One might say it’s a good way for the band to keep setting up hurdles for them to jump — and they most certainly have. Since then, they’ve curated their own festival, played a fan’s dream setlist, drank wine from one of their fan’s shoes, and played full albums front to back without any prior announcement.
“Life moves fast,” Eddie Vedder once said. “As much as you can learn from your history, you have to move forward.” Pearl Jam does both with ease. Whether they’re playing deep cuts off Vs., previewing a new song, or attempting an Idina Menzel cover, the band always deliver with the utmost respect, reverence, and confidence. So, until they bottle up their wine and call it a day, they’re the band to beat both on paper and on stage. Good riddance. –Michael Roffman