Oscars 2017 Predictions: Who Should Win, Who Will Win

A complete assessment of this year's incredible crop of talented nominees


    This feature initially ran in late January. We’re reposting because there’s a little awards show this Sunday where they give out golden statues.

    Another year, another boring round of Oscars, right? Not quite.

    After being hilariously trolled by last year’s #OscarsSoWhite campaign — not to mention, you know, 2016 host Chris Rock — the Academy made an effort to shake things up by diversifying its membership, adding 683 new members, a pool that breaks down to 46% female and 41% people of color. Judging from this year’s offerings, it worked.

    chris rock Oscars 2017 Predictions: Who Should Win, Who Will Win

    Then again, it helps that Hollywood also took note. Although the year started out rough, with miserable blockbusters and reboots piling on top of one another like oozing summer garbage on New York City streets, 2016 came to a close with some wildly diverse stories, from Moonlight to Hidden Figures to Fences to Lion to Loving. That’s only a handful!


    The Oscars reflect that this year. Sure, some might argue the 14 nominations for Damien Chazelle’s La La Land are a bit much — not this writer, who can’t stop singing “Someone in the Crowd” every morning in the shower — but they’re also forgetting that not every would-be juggernaut actually walks home as one. Just ask Richard Linklater…

    linklater gif Oscars 2017 Predictions: Who Should Win, Who Will Win

    When it comes to this ceremony, it’s anyone’s game, and looking ahead, it’s hard to really scoff at any of the potential Best Picture winners. They’re all bonafide critical darlings — hell, one particular win for one less favorable filmmaker could be seen as an unlikely Hollywood redemption story — and that’s the best case scenario, right?

    Well, it sure as hell beats seeing Deadpool on there. Nevertheless, take a closer look with us as we breakdown each category and try and decide who should win and who will win. Some believe there’s a science to this shit, and they’re goddamn fools.


    It’s nothing but a crapshoot.

    –Michael Roffman

    Best Animated Feature Film

    moana Oscars 2017 Predictions: Who Should Win, Who Will Win

    Kubo and the Two Strings
    My Life As A Zucchini
    The Red Turtle

    What should win: Kubo and the Two Strings

    What will win: Moana

    In a surprisingly stacked year for animated features (Finding Dory is a notable, high-grossing exclusion from this year’s nominations, for starters), this race will probably come down to familiarity over general quality. That’s not to say there are necessarily any bad entries here; Disney showed up in a big way, and their dual nominations speak to the increasing quality of their in-house work. But although we see the incredibly popular Moana taking home the prize — especially as it’s picking up steam in the weeks following the Golden Globes’ pick for Zootopia — it’s Laika’s gorgeously ambitious stop-motion/CG hybrid Kubo and the Two Strings that we favor most.

    –Dominick Suzanne-Mayer

    Best Foreign Language Film

    toni Oscars 2017 Predictions: Who Should Win, Who Will Win

    A Man Called Ove
    Land of Mine
    The Salesman
    Toni Erdmann

    What should win: Toni Erdmann

    What will win: A Man Called Ove

    Okay, so maybe Toni Erdmann was too good for this world. It absolutely could have been nominated for Best Picture. Or Best Director. Or Best Original Screenplay. Or Best Actor. Or Best Actress… For Christ’s sake Oscar, did the 160-minute runtime bum you out before you gave this movie a shot!?! IT HAS MORE HEARTBREAK AND HILARITY IN IT THAN ALL THE OTHER NOMINEES! YOU SHOULD FEEL SO LUCKY TO HAVE SOMEONE LIKE TONI IN YOUR LIFE! HE GOT US TO SING WHITNEY HOUSTON AGAIN! TAKE LIFE LESS SERIOUSLY! THIS FILM HAS A 40-MINUTE NAKED BRUNCH THAT IS QUITE POSSIBLY THE FUNNIEST AND MOST BIZARRE COMEDY SCENE THIS SIDE OF A BLAKE EDWARDS FARCE LIKE 10 OR THE PARTY.

    dynamite Oscars 2017 Predictions: Who Should Win, Who Will Win

    Sorry, where was I? Oh! Best Foreign Language Film. Toni Erdman, simply put, rules. It’s a new absurdist classic; devastatingly, deliriously human. It took Cannes by storm, had a minor release from Sony Picture Classics last fall, and was more-or-less snubbed by the Academy. So here, right here, is where deserving praise can be heaped on the eccentrically unforgettable work by Maren Ade. Before the inevitable American remake. But the Academy’s probably gonna reward the more middle-ground Man Called Ove, which is fine … but he’s not Toni.

    –Blake Goble

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