The Very Best Covers of Fleetwood Mac’s Rumours

The Cranberries, Hole, and Lykke Li turn songs off Rumours into reimagined hits

Illustration by Virginia McCarthy and Cap Blackard

    This article originally ran in 2017 and has been updated. Cover Girl is a monthly music column in which Associate Editor Nina Corcoran compares cover songs to their original version. To celebrate the 40th anniversary of Fleetwood Mac’s Rumours, this month’s column highlights track-by-track cover songs that speak to the flexibility, melodies, and genius of the band’s songwriting.

    When Fleetwood Mac released Rumours, fans couldn’t know how iconic it would grow to be. Of course, at that point in their career, Fleetwood Mac had already proved they knew what they were doing. Eleven records deep, the British-American rock band figured out how to rope folk elements, rock instrumentation, and pop hooks together while using multiple vocalists to flesh out their work to hone in on a singular sound. Fleetwood Mac had already formed their own sound, but on Rumours, they coated it in a clear finish to preserve it for decades to come.

    Over the span of 11 songs, Fleetwood Mac worked their way through countless issues. Each member was going through relationship struggles. Hedonistic behavior was rampant. Fights weren’t uncommon. On vacation and in the studio, tensions grew taut, but the songwriting process allowed them to work a lot of that out — ironically, by forming songs that illuminate with positivity and uplifting features. This was the record where Lindsey Buckingham, Stevie Nicks, Mick Fleetwood, Christine McVie, and John McVie found their harmonies and, in the process, discovered how to fix the cracks that began to form in the band.


    It turns out Fleetwood Mac create the best music when in the worst shape. The songs of Rumours ride a stylistic format that has yet to sound outdated. Now, celebrating its 40th anniversary, the record remains an album of hits and singles that bring generations of listeners together, be it the long hollers of “Go Your Own Way”, the joyful rhythm of “You Make Loving Fun”, or the fan-adored B-side “Silver Springs”. It’s inspired musicians and bands in every year since its release, and with that comes a connection to their music that convinces those very musical acts that they should pay tribute by covering their material.

    So here it is: Rumours played out track by track, but reimagined in traditional and unconventional ways alike to remind you why this songwriting is just as timeless as the band that wrote it 40 years ago.

    01. Mates of State – “Second Hand News”

    It begins not with a bang, but with a whimper. The bang follows shortly after. Fleetwood Mac open Rumours with some silent background noise before the opening crash of “Second Hand News”, a song that bounces around with silly lyrics in its chorus and a rush of acoustic guitar strumming. It opens with a statement to set the album’s tone: “I know there’s nothing to say/ Someone has taken my place.” Yet Fleetwood Mac go on to make a name for themselves and, in the process, make sure that name remains relevant decades later. Whereas most people try to expand upon the semi-annoying verbal chatter of the chorus (Here’s looking at you, Tonic and Julienne Taylor), Mates of State decided to reinvent the song for their 2010 album Crushes (The Covers Mixtape). Singer-drummer Jason Hammel has gone on record saying it was the weirdest challenge they faced on the album and for good reason. Their cover uses a reggae beat to carry the song … and it works surprisingly well. Crunchy filters make guitar and drums sound over-processed, but they pair it with woodblock and xylophone to balance the weight. It’s a curious take on a pop-heavy hit, and by adding enough elements, Mates of State turn it into a song that deviates just enough from the original to sound like a different song.

    02. The Morning Benders – “Dreams”

    Some songs come quicker than others. For Nicks, “Dreams” was one of them. She wrote the song in about 10 minutes after finding a drum pattern on her keyboard. “Right away, I liked the fact that I was doing something with a dance beat, because that made it a little unusual for me,” she told Blender in 2007. She was right. The song, though it fades in and out of verses and the backing instrumentation feels like folk rock, makes listeners dance. The Corrs saw that and capitalized on the undertones, turning their cover into a certified hit that still plays on the radio today. But instead of highlighting their rendition, look at what The Morning Benders did with “Dreams”. Chris and Jon Chu and the rest of the band used their California vibes to mellow out the song on 2008 LP The Bedroom Covers. Open strumming and soft falsettos turn the song into a dream itself. Though the band opts for snappier songs nowadays (under a new moniker, POP ETC), The Morning Benders turned their cover into something for cozying up with the one you love, using their brand of indie pop to create a soothing, beach-side number.

    03. Slaraffenland – “Never Going Back Again”

    No song off Rumours is as rich or warm as “Never Going Back Again”. The song sees Buckingham on top of his game. The guitars sparkle endlessly, shimmering and waving in the wind like summer itself. Any cover song you stumble upon likely highlights that. It’s impossible to steer away from the beautiful instrumentation that uplifts even the grumpiest of grouches. Occasionally, an artist will try to deviate from the original, shaping the song into something that breaks Buckingham’s melodies, alters the emphasis, and tries to turn it into something new. One of the few acts to succeed in doing so is Slaraffenland. The experimental pop band hails from Denmark, a place that already likes reimagining what the world offers. On their cover, the five-piece experiments with freeform jazz, letting horns fade in and out while keys trickle through, sometimes sounding as if they’re played in reverse. A loose percussive beat plays out on plastic cans. The deeper into the song it goes, the more unrecognizable the original structure is, replaced by equal feelings of happiness and freedom, but the melodies contradict one another. It’s a handful of joyous instruments too pleased to work together — and, in that, they work seamlessly, swelling towards an outro that’s just as sunny as the original.

    04. The Phoenix Foundation – “Don’t Stop”

    The first time I heard “Don’t Stop”, I thought it was Elton John. The song carries a level of campiness otherwise absent on Rumours — which is part of why the record ages so gracefully — but in a knowing way that makes its romping gleeful and, if you’re in the right mood, addicting. Buckingham sings with total diva delivery, scratching his voice on vocal slides and punching up lines that normally wouldn’t deserve to be. Yet, at the time, it was one of their strongest hits, peaking at No. 3 on the Billboard singles chart. New Zealand act The Phoenix Foundation picked it up for MOJO Magazine‘s free CD in January of 2013 that asked a slew of artists to cover a song from the album. There’s something otherworldly about their cover. It’s a twisted, almost psych version that feels like it’s constantly on the verge of burping. Synth sways back and forth, an electronic drumbeat hiccups in the back, and guitars echo on their own accord in the distance. It’s peaceful and lush, like the musical child of the Cocteau Twins and Connan Mockasin, an unexpected but fruitful combination.


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