10 Comedy Sequels That Got It Right

From ogres to crazy uncles, these movies prove that some laughs deserve another go-around

Pixar's Toy Story 3
Pixar’s Toy Story 3

    It’s no secret that Hollywood has become an industry of reboots, rehashes, and revisits.

    In a town depressingly bereft of fresh ideas and increasingly adverse to risk, the sequel, and ultimately the franchise, has become the smart bet. Broken Lizard’s new joint, Super Troopers 2, may not fit the big-studio mold with its indie budget and crowd-sourcing background, but it still faces the same challenge as any sequel: familiarity tends to put cans in seats, but it doesn’t always make for the greatest movies.

    In fact, judging by the difficulty we had in finding 10 films we all agreed should be on this list, the comedy sequel (especially a pure comedy that skips the heartstring tugging) might be the hardest genre in which to catch lightning in a liter of cola twice. A long hiatus doesn’t historically bode well either (**cough** Dumb and Dumber To), even in our nostalgia-ravenous times.

    That being said, here’s hoping our favorite syrup-chugging coppers can defy the odds, years, and diabetes to bring us another one of the few, the proud, the comedy sequels that got it right. Move along, meow.

    –Matt Melis
    Editorial Director

    10. Bill and Ted’s Bogus Journey (1991)

    Bill and Ted's Bogus Journey


    Conventional wisdom suggests that you can only beat the box office once by sending a pair of slackers on a time-traveling kidnapping spree in order to pass a history report. So, what did Bill and Ted creators Chris Matheson and Ed Solomon do to follow up — and some would argue one-up — their original long-shot comedy smash? They joyfully cranked the dial from absurd to WTF.

    While Bill & Ted’s Excellent Adventure challenges its dimwitted duo to crack the books (via telephone booth), date gorgeous 15th century princesses, and commit to band practice for the betterment of the universe, Bogus Journey pits its heroes against no less than Death, Satan, and Joss Ackland in order to preserve the future utopian society their music has brought into being.

    All of which sets the stage for inspired silliness like a trip to our heroes’ own personalized Hells (“Dude, we totally got lied to by our album covers.”) and a brilliant Seventh Seal send-up that hilariously reminds us that everyone must eventually play the reaper — sometimes best of seven. The only question is where can the promised third installment possibly go from WTF? Station.


    Best of the New Batch: William Sadler as Death quickly goes from Melvin’d adversary to rockin’ ally — not to mention Wyld Stallyns bassist — and can be found creeping nearby most of the film’s best gags.

    –Matt Melis

    09. Naked Gun 2 1/2: The Smell of Fear (1991)


    The title alone tells you that few understand sequels, spoofs, and general silliness better than Zucker, Abrahams, and Zucker, the guilty parties behind Naked Gun 2 1/2: The Smell of Fear.

    After saving the Queen of England from being assassinated by Reggie Jackson (yeah, you read that right), Lieutenant Frank Drebin (Leslie Nielsen) and the Police Squad! gang return to stop Robert Goulet (well, Quentin Hapsburg) from a kidnapping bent on enriching big oil and “beautiful, clean” coal companies.


    It’s a plot just thin enough to allow Nielsen another chance to brilliantly bumble and tough-talk his way through danger, Nordberg (O.J. Simpson) to venture through another fun house of pain, and the writers to insert their leading man and lady (Priscilla Presley) into a series of hilarious parodies, from the classic Psycho shower slaying to the sexy vase-sculpting scene from Ghost.

    It’s a gag-a-second throwback to a time when men were men, women were often men themselves (see the third installment), and sharp writing and great physical comedy proved that dumb could be the smartest thing going.

    Best of the New Batch: You can’t have a great caper without a criminal, and Goulet’s dastardly slime ball, Hapsburg, is just the type of white-collar crook that Frank likes to put a hurting on. I mean, not the kind of hurt you feel from jumping on a bicycle with the seat missing, but still.

    –Matt Melis

    08. Wayne’s World 2 (1993)

    waynes world 2 10 Comedy Sequels That Got It Right


    The sequel to Wayne’s World never should have worked. Penelope Spheeris wasn’t invited back. The initial idea of having Wayne and Garth forming their own country a la 1949’s Passport to Pimlico was scrapped last minute due to legal mumbo jumbo. And, well, it’s a comedy sequel to a movie that had no reason to be so great and iconic.

    But, it came and saw and hurled again, sending our two public access hosts on a rock and roll journey through pop culture … with Christopher Walken on their tail. Unlike the original, the sequel feels a little more anarchic, relying less on narrative and capitalizing on homages and visual gags. The fact that the entire ending is one incredibly long riff on The Graduate speaks to this notion.

    At times, you can almost see Mike Myers or Dana Carvey making the shit up on the spot — you know, kind of like that Waynestock bit which tips off the film’s narrative — and that’s the beauty of the movie. It’s so self aware and so meta, but it’s never showy about it. Instead, Wayne’s World 2 leans back on the couch and lets the chaotic party unfold one gag at a time. Game on.


    The Best of the New Batch: Ralph Brown’s Del Preston is a marvel. His story about the sweet shoppe and “that great big Bengal tiger” — his only story, really — is one of the funniest recurring gags in the short-lived franchise.

    –Michael Roffman

    07. 22 Jump Street (2014)

    22 jump street e1524099761689 10 Comedy Sequels That Got It Right

    When 21 Jump Street surprised everyone by turning out to be not just good, but great, pressure mounted for Phil Lord and Christopher Miller to match that effortless comic timing and breathless series of meta-jokes about adapting a creaky, decades-old show to the screen.

    Then along came 22 Jump Street, which surprised us again, peppering in plenty of well-delivered jabs at everything from college movies to action movie sequels, shaking up the formula while maintaining Jonah Hill and Channing Tatum’s beautiful bromance.


    The whole thing’s great, and infinitely rewatchable, but it belongs on this list alone for the incredible post-credits montage of the endless sequels – 35 Jump Street: Traffic School, Jump Street Generations – Hollywood would insist upon them.

    Both movies feel like magic in a bottle, but it’s 22 Jump Street that solidified Lord and Miller’s comic chops as more than a fluke.

    Best of the New Batch: It’s great to see a pre-American Vandal Jimmy Tatro, but the award has to go to Wyatt Russell (son of Kurt) as the sensitive jock Zook, and his wonderfully meta ‘meat q-tip’ with C-Tates.

    –Clint Worthington

    06. Shrek 2 (2004)


    Shrek 2

    Shrek charmed audiences worldwide by shining a modern light on classic fairy tales and finding silliness and humor (for both children and adults) in stories many of us have known by heart since we were wee ones.

    The sequel largely doubles down on that formula — carving out an original tale in a world populated by the fairy tale characters we know so well — by casting Prince Charming as the other man, Fiona’s Fairy Godmother as more of a Godfather type (she’ll make you a potion you can’t refuse), and Shrek’s father-in-law, King Harold (John Cleese!), as a sire with a secret.

    If the original’s happily-ever-after tale taught us that true beauty is on the inside, then this fairy follow-up finds Shrek, Fiona, and even Donkey learning that happily ever after lasts, well, ever after, and there’ll always be some bumps along the way.


    It all makes for more high adventure, hilarious hijinks, and plenty of playful satire as the trio make the journey to the materialistic, image-obsessed kingdom of Hollywo… um, Far, Far Away and foil the thuggish Godmother’s plot with the help of some new friends.

    Best of the New Batch: While much of the film hinge’s on the hubris of Cleese’s king, nobody knows how to make an entrance into a franchise quite like Antonio Banderas as Puss in Boots … cough, cough … hairball. Nasty.

    –Matt Melis

    05. Gremlins 2: The New Batch (1990)

    Gremlins 2

    There’s really no sequel like Gremlins 2: The New Batch. It’s one of the smartest stupid movies of all time, a jagged chunk of pop culture that doubles as a midnight monster movie and a pseudo commentary on the absurdity of Hollywood studio filmmaking. That may sound a little high brow for a film that has Hulk Hogan breaking the fourth wall, but to quote Tilda Swinton in Vanilla Sky, “they laughed at Jules Verne, too.”

    Seriously! In many ways, this harebrained sequel is far superior to the 1984 original, which was more or less a tongue-in-cheek sendup on Norman Rockwell’s America by way of splatterhouse gore and Spielbergian family drama. By comparison, this movie is a post-modern nightmare, a complete 180 from the small town ethos of its predecessor, and the irony is that the story is virtually the same: The monsters must be stopped.

    By now, we have that brilliant Key and Peele sketch to explain why this movie is so batshit crazy, but that only confirmed what fans have known for decades. How could they not? For Christ sake, there’s a scene where film critic Leonard Maltin gets ravaged by the gremlins for hating on the film. Sure, that shit’s obvious by today’s standards, but back then, it was polarizing, perplexing, and downright genius.


    Best of the New Batch: It’s a little unfair to single out any particular gremlins, so we’ll go with John Glover, whose spirited cadence as head honcho Daniel Clamp is downright addicting. He never loses that smile and he’s every Hollywood producer in a nutshell.

    04. A Shot in the Dark (1964)

    A Shot in the Dark

    A Shot in the Dark was released so close to The Pink Panther that it’s hardly difficult to consider them in the same breath. Yet it’s Peter Sellers’ second outing as the ever-bumbling Inspector Clouseau that forms so much of what audiences remember about the endlessly gifted comic actor’s defining set of performances.

    From the cartoonishly exaggerated French accent to his innate capacity for occasionally stumbling into some exceptional detective work, this Clouseau is Sellers at his very best, finding humor whether he’s standing still, stumbling around, or barely surviving an escalating series of assassination attempts.


    Sellers was always a master of physical humor, and to this day remains one of the standard-bearers for that increasingly undervalued form. As such, in its own goofy way, A Shot in the Dark is similar to classics like Singin’ in the Rain and On the Waterfront, movies which stand as exemplars of their legendary stars at their absolute best.

    But, y’know.

    Best of the New Batch: Herbert Lom’s Commissioner Dreyfus, the poor soul, has several terrific onscreen freak-outs during A Shot in the Dark, our favorite being this gem: “Give me 10 men like Clouseau, and I could destroy the world.”

    –Dominick Suzanne-Mayer

    03. Addams Family Values (1993)

    Family Values

    Barry Sonnenfeld’s Addams Family movies are practically timeless – darkly funny, Burtonesque trifles about one of the most delightfully macabre families ever put to screen. While the original film maintained some of the wackiness of the ’60s sitcom, Values leaned harder into dark comedy in ways that perfectly complemented the family’s uproarious incongruity with the rest of the outside world.


    Sonnenfeld and company felt like they came into their own, no longer beholden to the sitcom trappings of the TV show it was based on, free to take chances and do their own thing. Whether it’s Wednesday and Pugsley serving up chaos at summer camp or Debbie’s continual attempts to kill Uncle Fester, Values ups the stakes and expands the Addams family (hello, little Pubert!) without missing a single step.

    Oh, and Gomez (Raul Julia) and Morticia (Anjelica Huston) remain one of the most appealing couples in movie history.

    Best of the New Batch: Without a doubt, Joan Cusack’s conniving Debbie Jellinsky Addams is the film’s standout, serving Whatever-Happened-to-Baby-Jane realness as the perfect ideological and aesthetic clash to the Addams family.

    –Clint Worthington


    02. National Lampoon’s Christmas Vacation (1989)


    National Lampoon's Christmas Vacation

    Every so often, a movie becomes a tradition: You watch When Harry Met Sally on Valentine’s Day with loved ones or even by your lonesome. You eat all types of candy to the sounds of Halloween every October. And, by the time the plates are cleared on Thanksgiving evening, you’re already halfway through either It’s a Wonderful Life, or Die Hard, or, yes, National Lampoon’s Christmas Vacation.

    The third installment in the Vacation series works because it’s so palatable. After totally dropping the ball with 1985’s European Vacation, John Hughes tapped into the American psyche again by keeping things in his comfort zone, aka the suburbs of the Chicagoland area. In a clever twist, and for the first and only time in the franchise, the Griswolds (Chevy Chase, Beverly D’Angelo) stay put and bring the crazies to them.

    A few bits get out of hand, particularly when Uncle Eddie (Randy Quaid) shows up, but the comedy always starts from a place that feels natural. Maybe it’s because he was coming off of 1987’s Planes, Trains, and Automobiles, but Hughes wraps up that chummy holiday spirit all too well (something he’d do a year later with Home Alone), and it’s for that reason alone people feel compelled to revisit this every holiday season.


    Best of the New Batch: Nobody could ever steal the screen from William Hickey, and his performance as Uncle Lewis is no exception. The Hollywood legend had an incredible career, but Christmas Vacation found him in a new groove, which started with his Oscar-nominated role in 1985’s Prizzi’s Honor and would continue until his death in 1997.

    –Michael Roffman

    01. Toy Story 3 (2010)

    Toy Story 3 Andy

    It’s weird to see a movie that makes literally everyone who sees it ugly-cry at the top of a list of comedies. But maybe that’s why this is here: Toy Story 3 isn’t just that rare instance of a third movie being the best in a series.

    It’s a beautiful, complete motion picture about loss, transition, and mortality. Yet never does the film forget it has to entertain the kiddies first and foremost, with a comic sophistication just as invigorating as the first two.


    Even so, all the sight gags about Barbie and Ken, and the continuation of Woody and Buzz’s abrasive double-act, only serve to round out those emotional moments and set you up for an ending you’d have to be made of plastic to watch unmoved.

    More than a great comedy sequel, Toy Story 3 is arguably the most perfect example of Pixar’s comprehensive command of emotional, effective cinema.

    Best of the New Batch: Ned Beatty’s bitter, disillusioned Lots-o Huggin’ Bear is a great foil for our heroic playthings. What would have happened if they’d lost hope after being separated from Andy so many times?

    –Clint Worthington


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