The Pauses share the Origins of new single “Digital Detox”: Stream

From the indietronica trio's forthcoming sophomore record, Unbuilding

The Pauses Origins, photo by John Deeb
The Pauses Origins, photo by John Deeb

    Origins is our recurring new music feature that sees a band exploring the various inspirations behind their latest track.

    Six years after their A Cautionary Tale debut, Orlando three-piece The Pauses are finally ready to return with their sophomore full-length. Entitled Unbuilding, the record is out June 22nd via Arctic Rodeo Recordings.

    Like their past releases, Unbuilding is the result of collaborative songwriting between multi-instrumentalist Jason Kupfer, drummer Nathan Chase, and vocalist/bassist/keyboardist Tierney Tough (who moonlights as Beach Slang’s touring bassist). With the help of producer/mixer J. Robbins (Jawbox, Burning Airlines), the trio have pushed their sound deeper into pop territory as they add guitar thrust to their indietronica styles.


    Nowhere on the album is this better exemplified than on lead single “Digital Detox”. Sounding as if Speedy Ortiz was a late-’90s emo band, the track buzzes and whistles (literally) in a perfect dance of digital disillusionment. Synths hit as hard as the distorted guitars, creating something nearly like chiptune yet with the drive of tech-savvy garage rock. Tough carries the flag of the cyber revolt in her lyrics, singing, “This instantaneous relief/ I’m losing my own game/ Will we see that absence breeds/ before we amuse ourselves to death?”

    Take a listen below.

    To dig deeper into the song, Tough and Kupfer have broken its Origins.

    Social Media:

    Tierny Tough: The lyrics are pretty straight forward and address internal struggles that I’ve had with social media. Every once in a while I need to go through a cleanse and deactivate my accounts to feel like a human again.


    Bjork — “Hyperballad”:

    TT: Even though there’s absolutely no reference to social media (hello, 1995), the escapism in this song has always sat right with me. There’s a sense of surrendering to one’s situation, and just trying to deal with it the best you can. I find that very relatable to the ways we communicate today and tried to express that with my lyrics. Also, I can totally imagine modern-day Bjork tossing her iPhone off a cliff.

    A Commercial Jingle:

    Jason Kupfer: ​”​Digital Detox​”​ actually began its (almost very short) existence as a sort of micro-jingle written for a commercial spot, which was viciously rejected by [Super-Lame Client Redacted] on the spot. It was kind of a bit of a relief in a way, because I saw potential in it as a possible Pauses tune. I’d sent the very basic sketch over to Tierney, expecting a resounding confirmation of [Super-Lame Client Redacted]’s feelings toward it, but she saw some of the same potential that I did, as demonstrated by this very discreet Facebook wall-post back to me [above].

    We kicked it around a bunch and it evolved into something really different for us and presented a challenge in taking something far poppier, sugary, and “blippy bloop bloop”-ier than we’d ever written and sort of strangling the darker elements out of it, most of which came from Tierney’s lyrics, which in turn, re-influenced certain musical approaches.


    Super Mario Bros.:

    The whole arpeggiated 8-bit synth bridge was a direct nod to the idea of self-suffocating by way of digital overload and a Super Mario Bros, chiptune-y vibe just seemed to represent that perfectly. The rise and fall of that section is the melodic equivalent of hopping on an endless carpet of turtle shells, eating a million gold coins, and then immediately being attacked by a ghost and falling into a bottomless pit. You know… the Internet.

    Steamboat Willie:

    As it progressed down this path, the whistling areas seemed to take on an eerie sort of antithetical quality, while still keeping the tone well within that misleadingly chipper pop-neighborhood. Plus, I’m just really into the idea of a song that seems like it could sync up seamlessly if played over any scene from Steamboat Willie.

    Unbuilding Artwork:

    The Pauses -- Unbuilding Artwork

    Unbuilding Tracklist:
    01. Eventually, Everything Connects
    02. Don’t Wake Me Up
    03. Digital Detox
    04. Had/Have
    05. The Beginnings of Things
    06. The Best for the Most for the Least
    07. The Means
    08. Heart of the Steal
    09. Animus?


    The Pauses will head out on tour to support Unbuilding later this summer. Find their full schedule below.

    The Pauses 2018 Tour Dates:
    05/24 – Tallahassee, FL @ The Wilbury *
    05/25 – New Orleans, LA @ Neutral Ground *
    05/26 – Denton, TX @ The Space Station *
    05/27 – Austin, TX @ Cheer Up Charlie’s *
    05/29 – Phoenix, AZ @ Trunk Space *
    06/02 – San Diego, CA @ Brick By Brick #
    06/03 – Los Angeles, CA @ The Hi Hat #
    06/04 – Mesa, AZ @ Club Red #
    06/05 – Las Vegas, NV @ Bunkhouse Saloon #
    06/07 – Amarillo, TX @ The 806 #
    06/08 – Denver, CO @ Marquis Theater #
    06/09 – Salt Lake City, UT @ The Loading Dock #
    06/12 – Seattle, WA @ Funhouse #
    06/13 – Portland, OR @ Analog Cafe #
    06/15 – Sacramento, CA @ Goldfield Trading Post #
    06/16 – San Francisco, CA @ TBA #
    07/12 – Tampa, FL @ Crowbar ^
    07/13 – Orlando, FL @ Blackstar ^
    07/14 – Gainesville, FL @ High Dive ^
    07/20 – Athens, GA @ Caledonia Lounge
    07/21 – Birmingham, AL @ The Nick
    07/23 – St. Louis, MO @ The Firebird
    07/24 – Omaha, NE @ O’Leavers
    07/25 – Chicago, IL @ Landland
    07/26 – Bloomington, IN @ Blockhouse Bar
    07/27 – Chattanooga, TN @ JJ’s Bohemia
    07/28 – Raleigh, NC @ Slim’s
    07/29 – Jacksonville, FL @ Rain Dogs

    * = Acoustic
    # = w/ Far
    ^ = w/ J. Robbins